The first time adult coloring books swept America, they weren’t therapeutic… they were satiric.
In the early 1960s, the first wave of parody coloring books used the form to mock the culture of the day. Here in this expanded edition are seven prime examples that took on the political conflicts of that era.
The New Frontier Coloring Book – The very first political adult coloring book takes on the liberalism of the Kennedy administration.
JFK Coloring Book – a genuine New York Times-certified best seller, this look at the Kennedy White House, the Kennedy friends, and especially the Kennedy family contains beautiful art by Mort Drucker, master caricaturist from Mad.
New Frontier Comic Coloring Book – an all-out attack on the Kennedy administration, produced by Arthur J. Weaver, a politician who was a four-time delegate to the Republican National Convention
Nikita Sergeyevich Khrushchev Coloring Book – a look at the notorious but colorful Soviet leader, written by Amram Ducovny, father of actor David Duchovny.
Khrushchev’s Top Secret Coloring Book – with Gene Shalit on the writing and Jack Davis of Mad fame handling the art, the communists take it on the chin.
The Sing Along with Khrushchov Coloring Book – drawn by a Hungarian artist who had been imprisoned by the Nazis for his political cartoons, this book was discussed at a meeting of the House Un-American Activities Committee.
The John Birch Coloring Book – a poke at the right-wing John Birch Society, who were concerned with communists abroad and communists (real and perceived) at home.
The year after the great Bill Woggon created Katy Keene, the comic book character who would bring him to attention and gain him the lasting love of fans, he created another special character. Diamond Lil’ reached the nation’s newspapers not on the comics page, but in jewelry store ads, where week after week she would promote the advantages of buying from the local shop, often in the most ridiculous ways. While Katy went on to a long-running comics career and ever her own TV series, Lil’ has been long forgotten and never collected… until now. Finally, over seventy years since she first saw print, her cartoons are available again for a whole new audience. Includes an introduction by Eisner Award-winning comics history writer Nat Gertler.
For over fifty years, SCOTT SHAW! has been writing and drawing allegedly funny stuff for mainstream comics sold on spinner racks (including Sonic the Hedgehog, Captain Carrot and The Simpsons), underground comix sold in head shops — and almost everything in between. Finally, here’s the first collection starring the award-winning cartoonist’s most notorious characters (including Scott himself!), with over 200 pages of offbeat stories, plus surprises and silliness from the depths of his archives!
“Along with the jeep, the robot bomb and Spam, the wolf in GI clothing will become one of the historical mementos of World War II.” —Life
When the attack on Pearl Harbor turned Golden Age comic book and advertising artist Leonard Sansone into Pvt. Sansone, he brought his art tools and sense of humor with him. The Wolf, his comics panel about a girl-crazed soldier went quickly from being in his local camp paper to appearing in thousands of service papers wherever Americans were stationed. Here, the original 1945 edition, out of print for most of a century, is not only brought back but expanded with seventy additional post-war cartoons. Look out, ladies! The Wolf’s uniform may be gone; his obsession remains.
“Sansone’s work is marked by cleverness and originality” — Tampa Tribune
Over a decade before George Booth brought his cartooning talent to the New Yorker, where his quirky style, wry sense of the world, and quirky view of dogs would get him recognized as one of America’s premiere cartoonists, he had a daily cartoon panel appearing in newspapers. That panel, Spot, about an aware, pipe-smoking starlet-chasing mutt and the family that loves him (well, puts up with him, more or less) has never before been collected. Here you have over 150 Spot cartoons, unseen for over sixty years.
Gordon Kirby is one laid back individual… but when duty (or boredom) calls, he dons his homebrew hero outfit and patrols the streets and rooftops of Montreal as The Jammer!
Collected here for the first time is the original five-issue storyline of Bernie Mireault’s cult favorite alt hero series The Jam: Urban Adventure, newly remastered and enhanced by Mireault himself. As an added bonus, the book leads off with a series of shorter pieces that appeared in New Triumph Featuring Northguardand The Jam Special.
“Negro America’s Favorite Cartoonist” – that’s what Langston Hughes called Ollie Harrington, whose cartoons and comic strips were a staple of America’s Black newspapers for decades starting in the 1930s. In his single-panel series “Dark Laughter,” Harrington brought out the vibrancy of Harlem life in its day, while serving some cutting looks at the politics of the time.
At the heart of “Dark Laughter” is Bootsie, a cunning, conning, girl-chasing ne’er-do-well who is nonetheless beloved in his Harlem community… if often reluctantly. Bootsie is both the victim of the world’s troubles and a frequent cause of them for others.
Here’s a collection of prime cartoons from the mid-1950s, drawn with the detailed joy that only Ol Harrington (who also worked as Oliver W. Harrington) could bring, finally available to a larger audience.
In the 1940s, the comics pages of America’s weekly Black newspapers were filled with characters both inspirational and aspirational. In addition to the life stories of great African Americans, there were fictional tales of Black reporters, Black detectives, Black government agents, Black aviators, Black people rising in the ranks of society, even Black superheroes, all to give their audiences the sense of the best that was possible.
Then there was Bootsie.
Bootsie was a liar, a womanizer, a layabout, a scammer, a cheat, and an all around disreputable dude. Among the denizens of Harlem he was scorned, threatened, detested… and yet nonetheless loved as a part of the community.
Collected in this book for the very first time are almost 150 “Dark Laughter” cartoons from 1941 through 1946, during which time Bootsie goes from being a draft evader to a draftee, an enlisted man, a serviceman on the ground in Europe, and ultimately to a veteran for the winning side. In these, cartoonist Ollie Harrington’s lively art captures the rich reality of Bootie’s world while telling tales that are sometimes joyous, sometimes very harsh, like the world itself.
Years after hanging up his hero costume, The Jam star Gordon Kirby finds himself facing something more difficult than any villain that might stalk the streets of Montreal: the complexities of a mature relationship where the romance has faded.
Canadian Hall of Fame cartoonist Befnie Mireault brings all his skills and love of the comics form to this, his first original graphic novel. Originally self-published (with support from the Xeric Foundation) solely as a limited edition volume in 2012, To Get Her is now available in unlimited editions for the first time.
It’s the 21st century’s first feature-length comics tale of Bernie Mireault’s popular Canadian hero series The Jam.
This new, full-color, square-bound paperback starts off with the 38 page The Jam story “A Secret Bowman”, Mireault’s gorgeously-colored never-before-seen comic book adaption of his own prose story. Someone is shooting arrows into the citizens of Montréal, and it’s up to The Jammer to do something about it. But are larger forces at play?
But that’s not all. You also get another all new story, “Avatars of Adventure: Adepts of Arcana,” written by respected author and editor Claude Lalumière and drawn by Bernie. Plus the The Jam story The Chair is printed in color for the first time, and Bernie’s story Dr. Robot vs. Monster (from Madman #12) is reprinted as well. And then there’s a 6-page portfolio of color images in this 64 page issue.